Fiction ghostwriting services for novels readers buy

Fiction ghostwriting at AuthorWings is 33¢ a word, from 20,000 words: $6,600 for 20,000 words, $16,500 for 50,000 and $29,700 for 90,000. The price follows the word count, not the subgenre. Every novel includes all four editing levels, and every word is written by a human writer, so the price covers a finished manuscript.

Working with a ghostwriter for a novel takes 8 to 27 weeks, set by length. Up to 30,000 words takes 8 to 12 weeks, up to 50,000 words 12 to 18, and up to 120,000 words 18 to 27. Every novel follows the same seven phases, with the outline approved before writing starts. Your review time is built into the schedule, and extra rounds of changes add to it.

You do. On final payment you own 100% of the manuscript, every named character, the world guide, the magic system, the timeline, and any series, prequel, sequel, or spin-off rights that come from them. If you write book two without us, everything from book one goes with you. Film, television, and game rights are yours too. Only your name appears on the book.

Yes, it is legal. Once the rights transfer to you, the novel is yours to publish under your own name. KDP asks you to hold the publishing rights, and to tell it when a book contains AI-generated text, images, or translations. It does not ask about human ghostwriters. Your manuscript is written by a human writer, as our AuthorWings AI Policy explains. KDP rules as of October 2026.

Flag it in your chapter review. A note about a flat ending or a slow stretch is reworked before the next batch of chapters starts, long before the full draft is done, which costs far less than fixing it later. Chapter notes are answered on every novel, and every novel also includes a check of each chapter’s pace across the finished manuscript.

Yes, and many fiction projects start that way. Outlines, beat sheets, character notes, world documents, partial chapters, and abandoned drafts all go into the inventory in phase two, and nothing you have built is thrown away. An outline you want kept word for word becomes the writing brief. A loose outline is shaped into a story outline you approve before writing starts.

Point of view is set in the voice sample, before any chapter after chapter three is written. Single-narrator books lock to first person or close third person. Multi-narrator books, common in romantasy and ensemble fantasy, also lock the rotation, the chapter headings, and whose head the reader is in for each scene. Switching heads in the middle of a scene is treated as a craft error.

Small changes, such as a name, a job, or a secondary trait, fit inside your normal rounds of changes. A full rewrite of a main character halfway through is one of the costliest changes in fiction, because every scene with that character changes. That is why the outline is locked first. If a rewrite is still needed, writing pauses, the change is scoped, and the timeline is adjusted.

Yes. Tell us at the start if you plan more than one book. The world guide, voice profile, cast, magic system, and timeline from book one carry forward. A continuity guide is kept for you, so book two builds on a written record. If you plan the series when you sign, you can keep the same writer for every book.

You set the limits before writing starts. Romance authors choose open-door or closed-door intimate scenes. Thriller, horror, and mystery authors set how much violence happens on the page. Trauma is written with research and care. Your writer stays inside the limits you set, so no scene surprises you at delivery. We write the guide with you when the story needs it, or you can set it yourself.

Sales are a market question, and no one can promise them. On your call, we talk through who reads your sub-genre and which books like yours are on the shelf today. If your idea has a small but real readership, your writer writes for those readers. If we can’t see a readership at all, we tell you before you sign anything.

Both, in order. While the outline is being built, your writer raises craft concerns directly, such as a twist that doesn’t earn its setup, a motivation that contradicts the opening, or a chapter order that hides the wrong reveal. You hear the case and decide. Once the outline is locked, your writer writes the book you chose.

Yes. If you wrote the earlier books yourself, your writer works from those books, not a summary of them, so the voice, characters, and world details match. You can hire us for one book and write the rest yourself. The rights to the characters, the world, and the series stay yours throughout.